baca the real lesson

Membacakomik The Real Lesson, akan membuka mata kita dengan realita Korea yang berbeda. Khususnya kehidupan para pelajar SMA-nya. Banyak yang belum tahu kalau kehidupan pelajar di Korea Selatan sangatlah berbeda dengan apa yang ditampilkan di drama. Banyak kekerasan, perkelahian dan ketidaksopanan anak-anak pada guru. KomikTrue Education Chapter 63. Kamu sedang berada di halaman baca komik True Education Chapter 63 bahasa Indonesia. Jika kamu ingin membaca manga True Education, pastikan Javascript kalian aktif . Untuk koleksi komik seru lainnya di KomikIndo ada di menu Daftar Komik. « Chapter Sebelumnya. Daftar Chapter. Download Chapter. Chapter  - Baca komik The Real Lesson sekarang! Episode baru tiap setiap RABU di LINE WEBTOON. Setelah undang-undang larangan memukul para siswa disahkan, semakin banyak siswa yang seperti preman. Suatu hari, seorang laki-laki yang kuat muncul dan menghajar para preman sekolah tersebut. Sebenarnya siapa laki-laki itu..?! Yuk, klik dan baca! Frau Sucht Reichen Mann Banker Antwortet. skip content WEBTOON The Real Lesson Episode sebelumnya 1 Episode selanjutnya EPISODE 1 EPISODE 2 EPISODE 3 EPISODE 4 EPISODE 5 EPISODE 6 EPISODE 7 EPISODE 8 EPISODE 9 EPISODE 10 EPISODE 11 EPISODE 12 EPISODE 13 EPISODE 14 EPISODE 15 EPISODE 16 EPISODE 17 EPISODE 18 EPISODE 19 EPISODE 20 EPISODE 21 EPISODE 22 EPISODE 23 EPISODE 24 EPISODE 25 EPISODE 26 EPISODE 27 EPISODE 28 EPISODE 29 EPISODE 30 EPISODE 31 EPISODE 32 EPISODE 33 EPISODE 34 EPISODE 35 EPISODE 36 EPISODE 37 EPISODE 38 EPISODE 39 EPISODE 40 EPISODE 41 EPISODE 42 EPISODE 43 EPISODE 44 EPISODE 45 EPISODE 46 EPISODE 47 EPISODE 48 EPISODE 49 EPISODE 50 EPISODE 51 EPISODE 52 EPISODE 53 EPISODE 54 EPISODE 55 EPISODE 56 EPISODE 57 EPISODE 58 EPISODE 59 EPISODE 60 EPISODE 61 EPISODE 62 EPISODE 63 EPISODE 64 EPISODE 65 EPISODE 66 EPISODE 67 EPISODE 68 EPISODE 69 EPISODE 70 EPISODE 71 EPISODE 72 EPISODE 73 EPISODE 74 EPISODE 75 EPISODE 76 EPISODE 77 EPISODE 78 EPISODE 79 EPISODE 80 EPISODE 81 EPISODE 82 EPISODE 83 EPISODE 84 EPISODE 85 EPISODE 86 EPISODE 87 EPISODE 88 EPISODE 89 EPISODE 90 EPISODE 91 EPISODE 92 EPISODE 93 EPISODE 94 EPISODE 95 EPISODE 96 EPISODE 97 EPISODE 98 EPISODE 99 EPISODE 100 EPISODE 101 EPISODE 102 EPISODE 103 EPISODE 104 EPISODE 105 EPISODE 106 EPISODE 107 EPISODE 108 EPISODE 109 EPISODE 110 EPISODE 111 Episode Spesial Sebelumnya Selanjutnya Favorit Ditambahkan ke FAVORITKU > Favorit Facebook LINE Twitter Copy URL URL telah Ctrl + V di tempat yang kamu inginkan. 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EPISODE 1 EPISODE 2 EPISODE 3 EPISODE 4 EPISODE 5 EPISODE 6 EPISODE 7 EPISODE 8 EPISODE 9 EPISODE 10 EPISODE 11 EPISODE 12 EPISODE 13 EPISODE 14 EPISODE 15 EPISODE 16 EPISODE 17 EPISODE 18 EPISODE 19 EPISODE 20 EPISODE 21 EPISODE 22 EPISODE 23 EPISODE 24 EPISODE 25 EPISODE 26 EPISODE 27 EPISODE 28 EPISODE 29 EPISODE 30 EPISODE 31 EPISODE 32 EPISODE 33 EPISODE 34 EPISODE 35 EPISODE 36 EPISODE 37 EPISODE 38 EPISODE 39 EPISODE 40 EPISODE 41 EPISODE 42 EPISODE 43 EPISODE 44 EPISODE 45 EPISODE 46 EPISODE 47 EPISODE 48 EPISODE 49 EPISODE 50 EPISODE 51 EPISODE 52 EPISODE 53 EPISODE 54 EPISODE 55 EPISODE 56 EPISODE 57 EPISODE 58 EPISODE 59 EPISODE 60 EPISODE 61 EPISODE 62 EPISODE 63 EPISODE 64 EPISODE 65 EPISODE 66 EPISODE 67 EPISODE 68 EPISODE 69 EPISODE 70 EPISODE 71 EPISODE 72 EPISODE 73 EPISODE 74 EPISODE 75 EPISODE 76 EPISODE 77 EPISODE 78 EPISODE 79 EPISODE 80 EPISODE 81 EPISODE 82 EPISODE 83 EPISODE 84 EPISODE 85 EPISODE 86 EPISODE 87 EPISODE 88 EPISODE 89 EPISODE 90 EPISODE 91 EPISODE 92 EPISODE 93 EPISODE 94 EPISODE 95 EPISODE 96 EPISODE 97 EPISODE 98 EPISODE 99 EPISODE 100 EPISODE 101 EPISODE 102 EPISODE 103 EPISODE 104 EPISODE 105 EPISODE 106 EPISODE 107 EPISODE 108 EPISODE 109 EPISODE 110 EPISODE 111 Episode Spesial Sebelumnya Selanjutnya Kreator CHAE YONGTAEK , HAN GARAM Baru & Trending > 1 romantis Random Target Yuhan / INE 2 kerajaan Beast’s Flower Hwang DoTol 3 kerajaan The Father Returns Sanbom / haeyeoneul 4 thriller Iblis di Antara Kita Nemo Nullus 5 romantis Hello Baby ENJELICIOUS Berdasarkan Genre > SEMUA selected SEMUA selected DRAMA FANTASI KERAJAAN AKSI KOMEDI ROMANTIS THRILLER HOROR SLICE OF LIFE 1 romantis Random Target Yuhan / INE 2 kerajaan The Second Marriage Alphatart / HereLee 3 aksi LOOKISM Taejoon Park 4 romantis CHUBBINESS! Ivonne Febriani 5 romantis Bite Me sungeun Terakhir Dibaca WEBTOON Mau baca episode baru duluan? Tinggal scan QR code ini! Aplikasi Android Aplikasi iOS facebook instagram line youtube Saran dan Pendapat Bantuan Syarat Penggunaan Privasi Info Iklan English 中文 繁體 ภาษาไทย Indonesia Español Français Deutsch ⓒ WEBTOON Entertainment Inc. LINE WEBTOON skip content WEBTOON The Real Lesson Episode sebelumnya 102 Episode selanjutnya EPISODE 1 EPISODE 2 EPISODE 3 EPISODE 4 EPISODE 5 EPISODE 6 EPISODE 7 EPISODE 8 EPISODE 9 EPISODE 10 EPISODE 11 EPISODE 12 EPISODE 13 EPISODE 14 EPISODE 15 EPISODE 16 EPISODE 17 EPISODE 18 EPISODE 19 EPISODE 20 EPISODE 21 EPISODE 22 EPISODE 23 EPISODE 24 EPISODE 25 EPISODE 26 EPISODE 27 EPISODE 28 EPISODE 29 EPISODE 30 EPISODE 31 EPISODE 32 EPISODE 33 EPISODE 34 EPISODE 35 EPISODE 36 EPISODE 37 EPISODE 38 EPISODE 39 EPISODE 40 EPISODE 41 EPISODE 42 EPISODE 43 EPISODE 44 EPISODE 45 EPISODE 46 EPISODE 47 EPISODE 48 EPISODE 49 EPISODE 50 EPISODE 51 EPISODE 52 EPISODE 53 EPISODE 54 EPISODE 55 EPISODE 56 EPISODE 57 EPISODE 58 EPISODE 59 EPISODE 60 EPISODE 61 EPISODE 62 EPISODE 63 EPISODE 64 EPISODE 65 EPISODE 66 EPISODE 67 EPISODE 68 EPISODE 69 EPISODE 70 EPISODE 71 EPISODE 72 EPISODE 73 EPISODE 74 EPISODE 75 EPISODE 76 EPISODE 77 EPISODE 78 EPISODE 79 EPISODE 80 EPISODE 81 EPISODE 82 EPISODE 83 EPISODE 84 EPISODE 85 EPISODE 86 EPISODE 87 EPISODE 88 EPISODE 89 EPISODE 90 EPISODE 91 EPISODE 92 EPISODE 93 EPISODE 94 EPISODE 95 EPISODE 96 EPISODE 97 EPISODE 98 EPISODE 99 EPISODE 100 EPISODE 101 EPISODE 102 EPISODE 103 EPISODE 104 EPISODE 105 EPISODE 106 EPISODE 107 EPISODE 108 EPISODE 109 EPISODE 110 EPISODE 111 Episode Spesial Sebelumnya Selanjutnya Favorit Ditambahkan ke FAVORITKU > Favorit Facebook LINE Twitter Copy URL URL telah Ctrl + V di tempat yang kamu inginkan. 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EPISODE 1 EPISODE 2 EPISODE 3 EPISODE 4 EPISODE 5 EPISODE 6 EPISODE 7 EPISODE 8 EPISODE 9 EPISODE 10 EPISODE 11 EPISODE 12 EPISODE 13 EPISODE 14 EPISODE 15 EPISODE 16 EPISODE 17 EPISODE 18 EPISODE 19 EPISODE 20 EPISODE 21 EPISODE 22 EPISODE 23 EPISODE 24 EPISODE 25 EPISODE 26 EPISODE 27 EPISODE 28 EPISODE 29 EPISODE 30 EPISODE 31 EPISODE 32 EPISODE 33 EPISODE 34 EPISODE 35 EPISODE 36 EPISODE 37 EPISODE 38 EPISODE 39 EPISODE 40 EPISODE 41 EPISODE 42 EPISODE 43 EPISODE 44 EPISODE 45 EPISODE 46 EPISODE 47 EPISODE 48 EPISODE 49 EPISODE 50 EPISODE 51 EPISODE 52 EPISODE 53 EPISODE 54 EPISODE 55 EPISODE 56 EPISODE 57 EPISODE 58 EPISODE 59 EPISODE 60 EPISODE 61 EPISODE 62 EPISODE 63 EPISODE 64 EPISODE 65 EPISODE 66 EPISODE 67 EPISODE 68 EPISODE 69 EPISODE 70 EPISODE 71 EPISODE 72 EPISODE 73 EPISODE 74 EPISODE 75 EPISODE 76 EPISODE 77 EPISODE 78 EPISODE 79 EPISODE 80 EPISODE 81 EPISODE 82 EPISODE 83 EPISODE 84 EPISODE 85 EPISODE 86 EPISODE 87 EPISODE 88 EPISODE 89 EPISODE 90 EPISODE 91 EPISODE 92 EPISODE 93 EPISODE 94 EPISODE 95 EPISODE 96 EPISODE 97 EPISODE 98 EPISODE 99 EPISODE 100 EPISODE 101 EPISODE 102 EPISODE 103 EPISODE 104 EPISODE 105 EPISODE 106 EPISODE 107 EPISODE 108 EPISODE 109 EPISODE 110 EPISODE 111 Episode Spesial Sebelumnya Selanjutnya Kreator CHAE YONGTAEK , HAN GARAM Baru & Trending > 1 romantis Random Target Yuhan / INE 2 kerajaan Beast’s Flower Hwang DoTol 3 kerajaan The Father Returns Sanbom / haeyeoneul 4 thriller Iblis di Antara Kita Nemo Nullus 5 romantis Hello Baby ENJELICIOUS Berdasarkan Genre > KOMEDI selected SEMUA DRAMA FANTASI KERAJAAN AKSI KOMEDI selected ROMANTIS THRILLER HOROR SLICE OF LIFE 1 komedi OTENBA Dihocchi 2 komedi BAD GUY DOOMS 3 komedi Eh, Sorry Kesantet! aiextradip 4 komedi Desperate to Date Young Oh / ROH GODRYANG 5 komedi Stand Up, Mr. President! Rutheal / Lidowey Terakhir Dibaca WEBTOON Mau baca episode baru duluan? Tinggal scan QR code ini! Aplikasi Android Aplikasi iOS facebook instagram line youtube Saran dan Pendapat Bantuan Syarat Penggunaan Privasi Info Iklan English 中文 繁體 ภาษาไทย Indonesia Español Français Deutsch ⓒ WEBTOON Entertainment Inc. LINE WEBTOON The Reality Show That’s Tackling the Toxic WorkplaceTop Chef has spent the past 20 seasons redefining what it means to be a chef—and a by Joanne Imperio / The Atlantic. Sources Frazer Harrison / Getty; Jerod Harris / Bravo / NBC / Getty; Paula Lobo / Disney / GettyIn the crowded field of TV cooking shows, Gordon Ramsay looms large. Hell’s Kitchen began airing in 2005, during the heady days of the earliest reality-competition shows, premised on the notion that the art of cooking is best achieved through the craft of bullying. The celebrity chef berated the contestants who doubled as his sous-chefs. He screamed. He mocked. He, more than anyone else, made Hell’s Kitchen hellish—and, in that, his show captured something essential about the industry it claimed to portray. Food preparation is, traditionally, women’s work; commercial kitchens, hectic and hierarchical and male, tend to elide that fact. They take a restaurant’s most basic marketing proposition—it sells stuff you need in order to stay alive—and coat it in thick layers of year after Hell’s Kitchen premiered on Fox, another cooking competition hit the air. Bravo’s Top Chef took the older show’s conceit—a test of the skills required to succeed in high-end kitchens—and made it calmer and kinder. To serve as its head judge, the show recruited Tom Colicchio, a figure who, like Ramsay, was a respected celebrity chef, and who, unlike Ramsay, exuded charismatic affability. Top Chef served as both a competitor to Hell’s Kitchen and a rebuke to it. Chef means leader; chefs, fundamentally, are bosses. And Top Chef, fundamentally, is about the work environments they create as they go about the business of food. The tension between executives and staffers; the frustrations, and delights, of collaboration; the social dynamics that can foster talent or stifle it—Top Chef considers all of that in the gas-fired context of the Chef quickly became a juggernaut, gaining a large fan base, several international spin-offs, and widespread influence over the culinary field. It has featured some 300 competitors on its stage. The show, today, is completing its 20th season. Top Chef World All-Stars, set in London and featuring an international roster of contestants, is both broad in scope and valedictory in tone—a testament to the scale of the franchise. The success has come, in part, from the same things that will give any industry-oriented reality competition its appeal great production values, compelling cast members, the thrill of watching artists at the top of their game. But the show’s insights about cooking as a profession are what set it apart. Top Chef gained traction as Americans were reconsidering the nature of the workplace, and of work itself. It has spent 17 years considering the kitchen as an office by proxy. The show has offered changing answers, in the process, to a question that shapes both an industry and a culture What makes a good leader?Speaking before the judges in an episode of Top Chef Season 1, Dave Martin lost patience with his fellow contestant Tiffani Faison and provided a sound bite for the ages “I’m not your bitch, bitch!” The line was perfectly calibrated to its moment. This was the “I’m not here to make friends” era of reality television. Top Chef’s 12 contestants lived together while competing against one another, giving the show a base note of The Real World and Survivor. And, for a while, the show found drama in the same way those other series did Each season had its appointed antiheroes. Some chefs earned their villain edits through arrogance Season 2’s Marcel Vigneron, lover of culinary foams and the term soigne, quickly won the disdain of his castmates; Season 3’s Hung Huynh, in a talking-head interview, classified himself as a CPA—a “certified professional asshole”.Later villains brought the Ramsayan approach to the Top Chef kitchen. The show can be an exercise in enforced humility It turns chefs, many of them used to being executives, into line cooks and sous-chefs. Some contestants have reacted to that dynamic by bullying their competitors. Season 9, Top Chef Texas, found Heather Terhune so accustomed to deriding her castmate Beverly Kim that she voiced her complaints about Kim’s alleged shortcomings to the judges—even when Kim was her partner in a double-elimination The paranoid style in American entertainmentTop Chef premiered a few years after Survivor’s Richard Hatch manipulated his way into $1 million in prize money and reality-TV infamy, and a few years before The Real Housewives of New Jersey’s table flip heard round the world. Its villains were products of their times. But Top Chef’s premise, and its revolving-door relationship with the restaurant industry, meant that its villains were more than entertaining misanthropes. They were also bad colleagues. They turned Top Chef’s kitchen, episode by episode, into a toxic work environment. It didn’t matter, after a while, whether the competitors’ villainy stemmed from their arrogance or their anger or their deviousness or their awareness of the curt mechanics of fame. Wherever it came from, it spread. Watch enough episodes of those early seasons, and you could almost predict which team, in a group challenge, was going to lose. It was the one that had the villain on Chef appeals, in part, because it is reliably formulaic The competitors—and the settings—change, but the seasons’ structures remain the same. The show has retained its three primary judges, Colicchio, Gail Simmons, and Padma Lakshmi, since Season 2. Late last week, Lakshmi announced that Top Chef’s current season is her final one—shaking up not only the show, but also its central triumvirate. Each episode adheres to the same three-part format the Quickfire Challenge, the Elimination Challenge, and the Judge’s Table that determines which chef or, sometimes, chefs will be eliminated. Each season has culminated in a finale that asks the contestants to create the “meal of their life”—the only one they will make on the show that is relatively free of creative Top Chef’s tone has transformed over the past 17 years. That is in large part because it has done away, effectively, with villainy. There are no obvious villains in Season 20. Nor have there been obvious villains in the many seasons that have preceded it. Instead, as the years have gone on, the show has studiously excised the types of competitors whose attitudes turn them into agents of chaos. In their place are contestants who seem excited to learn from their fellow chefs, to collaborate with them—to be, in every sense, Foodie culture as we know it is overIn the story lines it amplifies, too, Top Chef has come to prioritize the friendships that develop among the people who are at once competitors, castmates, and peers. Top Chef World All-Stars has highlighted the friendship that emerged between Amar Santana, a Dominican American chef, and the Jordanian chef Ali Ghzawi. Season 8, the show’s first all-stars season, delighted in the opposites-attracting closeness that developed between Fabio Viviani, the extroverted Italian chef, and Richard Blais, the cerebral molecular gastronomist. One of the best arcs of Season 15, Top Chef Colorado, was the siblinglike relationship that arose between two chefs who hailed from Chicago, Adrienne Cheatham and Joe Chef did not merely become kinder and less cutthroat over the years; in that, its evolution is akin to that of many other competitive reality shows. The meadow-bound tent of the Great British Bake Off casts a long shadow. Instead, the show developed a more precise idea of the product it was actually providing. For Top Chef, Colicchio told me recently, villainy simply didn’t sell. Focus groups that the show’s producers conducted kept revealing that collaboration was Top Chef’s true selling point. You can get melodrama anywhere, but teamwork is much harder to come by. And there’s a certain magic in watching accomplished people collaborate, even in the context of show, eventually, came to emphasize, even encourage, collaboration. In a two-day challenge in Season 5, contestants entered the kitchen to discover that a refrigerator storing pork products hadn’t closed properly the night before. The mishap might have spelled disaster for two chefs; rather than letting them flail, though, their competitors rallied to help them create substitute dishes. The judges commended everyone for the teamwork, and then rewarded them for it No one, Colicchio announced, would be going home after that challenge. Near the end of Season 18, Dawn Burrell, a former Olympian long jumper, cut her finger in the middle of a cook. Her competitors stepped in to help her finish her dish. In earlier seasons, that would have been remarkable; by Season 18, it was standard. The message in the newer approach is simple. As Simmons put it to me, “You don’t need to be an asshole to get ahead.”“Family” is a refrain on Top Chef. As the show has considered the social dynamics of workplaces, it has also considered how to define those dynamics. Cooks tend to be systematically overworked; the hours they spend in the kitchen are not only intense—the heat, the fire, the knives—but also, simply, long. As Brooke Williamson, Season 10’s runner-up and Season 14’s winner, told me, culinary workers tend to spend more time in the company of their colleagues than they do with anyone else in their life. Such situations are common across industries, but kitchens bring a certain acuity to the kitchens, particularly high-end ones, tend to default to two types of language the martial and the familial. They have lines and brigades, specialized roles and respected ranks. “Yes, chef” or “Oui, chef” are the acceptable replies to a cook who outranks you. But they also have family meals. They have deep camaraderie. They lean into the argument that has become, particularly in recent years, a matter of anxiety that one’s colleagues are one’s Chef has embraced that idea. As it has grown, it has talked about itself—its judges, its contestants, its brand—in terms of familial intimacy. “Top Chef family” has become the show’s answer to “Bachelor Nation.” The show has written the notion of the family meal into its challenges. Season 19, Top Chef Houston, surprised contestants by flying several of their relatives to a vacation home on Galveston Island, where the chefs were asked to create favorite family meals. The challenge, as so many of Top Chef’s will, involved a commercial partnership—this one with the home-rental service Vrbo. At another vacation home, this one set in the English countryside, Top Chef World All-Stars asked its remaining contestants to prepare a potluck meal featuring dishes that were meaningful to their own the surface, the rhetoric is appealing It gives Top Chef an air of coziness. It serves as a further rebuke to the notion of chefs as autocrats and auteurs. But Top Chef’s emphasis on family can elide the same thing that everyday workplaces’ emphasis on family can Chefs are workers. Cooks are laborers. Kitchens are sites of economic transaction. Hugh Acheson, the celebrity chef who has served as both a guest judge on the show and as a competitor on one of its spin-offs, Top Chef Masters, recently compared the work chefs do on the show to the types of internships common at high-end restaurants unpaid labor, exchanged for the currency of “experience.”Top Chef is not Noma; appearing on the show is not the same as apprenticing at a restaurant with no compensation save a line on a résumé. But there are similarities. Contestants are trading, effectively, their labor—paid, but only with meager per diem allowances—for exposure. They are engaging in the same transaction that every reality-TV personality will They are ceding editorial control to producers. And their professional reputation is at stake in the Chef walks a fine line. Its premise still relies on the mythology that distinguishes eating from dining, the cook from the chef. But it has lost whatever patience it had for the chefs who cook up toxicity. The show is still an answer to Hell’s Kitchen, but it is also in dialogue with other recent works that examine food culture. The Netflix documentary series Chef’s Table celebrates the myth of the solitary and usually male genius; the FX/Hulu series The Bear depicts the unstable masculinity that fills so many commercial kitchens; the recent film The Menu satirizes the hierarchical arrangement of those kitchens—and the absurdity that arises when notions of food-as-community and food-as-artistry collide.“Nobody does it alone in a restaurant kitchen,” Lakshmi told me. Pragmatically, that has always been the case—even the most celebrated of celebrity chefs will falter if they cannot rely on their team. Culturally, though, it has too often been overlooked. That is changing. Top Chef has been steadily documenting the shift. “The environment in kitchens now is much more collaborative,” Williamson told me. Kitchens are becoming more team-oriented, less despotic. They are, like every workplace, responding to MeToo and other movements for social Chef has captured both the speed of those developments and the slowness. The show’s 18th season, set in Portland, Oregon, featured a diverse cast and challenges that celebrated the cuisine of the African diaspora and the foodways of Native Oregonians. But soon after the season’s winner, Gabe Erales, was crowned, viewers learned that he had been fired from his restaurant, Comedor, over allegations of sexual harassment. Erales promptly issued an postscripts—reality TV colliding with plain old reality—ran directly counter to Top Chef’s messaging and branding. They were, in that, sourly eloquent. Change never comes easily, or simply. It resists distillation into the tropes and narrative arcs that are the foundations of unscripted television. But reality shows are aspirational, too They can model change, and therefore spur it along. They can broaden assumptions about what chefs—and leaders—look like and act like. They can argue, episode by episode, that everyone is better off when workers are respected and workplaces are fair. The monstrous chef may make good TV; he’ll also make a very bad boss. Manhwa adalah komik asal Korea yang sedang naik daun. Dengan adanya aplikasi LINE WEBTOON, para penggemar komik di seluruh dunia, khususnya di Indonesia bisa mengakses secara gratis judul-judul manhwa populer asal negeri gingseng tersebut. Salah satu yang sedang digemari dan di baca adalah manhwa berjudul The Real membahas Omniscent Reader dan How To Fight, ingin merekomendasikan kalian untuk baca The Real Lesson karena beberapa alasan yang menarik. Komik satu ini memiliki pembahasan yang cukup berbeda dari manhwa bertema sekolahan lain. Selain ceritanya yang menarik, The Real Losson juga menghadirkan sisi action, pendidikan dan psikologi anak-anak muda. Singkatnya, manhwa ini bakal relate banget sama pelajar dan bakal bikin nostalgia mereka yang sedang berkuliah atau Real Lesson adalah komik yang ditulis oleh Chae Yong Taek serta digambar oleh Han Garam. Chae Yong Taek terkenal lewat karya lainnya yang menceritakan kehidupan SMA berbalut action berjudul Reawaken dengan komik sebelumnya, Chae Yongtaek cukup brilian dalam mengambil sudut pandang dalam The Real Lesson. Meski sama-sama berkisah tentang anak sekolah, komik ini berfokus pada kehidupan guru pengawas bernama Na Hwanjin. Na Hwanjin adalah seorang guru yang memiliki hak istimewa untuk menyelesaikan kasus kenakalan pelajar dari mulai bullying sampai budaya perkelahian di seperti judulnya, dari arc ke arc kita akan mengikuti petulangan guru Na Hwanjin dari sekolah ke sekolah untuk memberikan pelajaran sesungguhnya’ kepada para murid SMA. Nggak seperti guru-guru biasa, Na Hwanjin diizinkan untuk melakukan metode pendidikan menggunakan kekerasan. Hasilnya kita akan melihat anak-anak SMA sok jagoan dihajar habis-habisan oleh guru yang merupakan seorang mantan pasukan elit militer ini. Kebayang nggak serunya kayak apa?Korea yang BerbedaKalau mendengan negara Korea, pikiran kita akan tertuju pada hal-hal berbau positif dan indah seperti Boyband dan Girlband yang cantik dan beretika, drama Korea yang romantis dan mengocok perut serta budaya dan makanan Korea yang kini mulai menginvasi komik The Real Lesson, akan membuka mata kita dengan realita Korea yang berbeda. Khususnya kehidupan para pelajar SMA-nya. Banyak yang belum tahu kalau kehidupan pelajar di Korea Selatan sangatlah berbeda dengan apa yang ditampilkan di drama. Banyak kekerasan, perkelahian dan ketidaksopanan anak-anak pada dan metode pembelajaran yang kurang efektif banyak membuat pelajar stress. Menurut survei tingkat bunuh diri pelajar Korea lebih tinggi dua kali lipat dari Amerika Serikat pada tahun 2018. Angka ini mungkin bertambah mengingat masih banyak berita tentang kasus bunuh diri pelajar Korea sampai hari komik The Real Lesson ingin memperlihatkan sisi lain dari Korea. Permasalahan sosial yang telah mengakar sejak lama. Komik ini juga adalah bentuk kritik pada pemerintah sekaligus peringatan keras bagi pelaku bullying dan rasa simpati mendalam pada Bahaya BullyingSalah satu hal menarik dari manhwa The Real Lesson adalah metode pembelajaran yang menggunakan hukuman fisik. Seperti kita tahu, metode pembelajaran ini sudah ditinggalkan sejak lama berkaitan dengan Hak Asasi Manusia. Dengan mengenyampingkan masalah HAM, manhwa ini memberi gambaran jelas pada kita sisi positif dari metode pembelajaran hukuman fisik. Kita semua mesti sepakat bahwa nggak semua murid itu murid yang baik. Nggak sedikit di antara mereka yang bermental penindas bagi murid dari kontroversi yang disebabkan oleh manhwa ini, sesungguhnya The Real Lesson hanya ingin mengingatkan kita pada bahaya bullying, terutama di negara asalnya, Korea Selatan. Seperti kita tahu, perundungan masih jadi masalah yang nggak kunjung usai sampai sekarang. Korban perundungan bisa memiliki trauma sampai dirinya dewasa bahkan bisa berujung pada kematian. Meski berbentuk komik dengan sentuhan aksi dan komedi dimana-mana, jika direnungkan, baca The Real Lesson adalah pelajaran berharga. Home Ekbis Selasa 29-11-2022 / 2226 WIB The Real Lesson- –UPDATE The Real Lesson True Education Chapter 112 Bahasa Indonesia, Jangan Lewatkan Update The Real Lesson. Berbumbu drama sekolah dan ketangguhan para karakter membuat The Real Lesson suskses sedot perhatian publik. Bagaimana tidak? manhwa satu ini sangat berbeda dengan lainnya, menyuguhkan pertarungan sengit pejuang pendidikan, dan disertai bumbu-bumbu romansa sedap yang sangat minim membuat manhwa satu ini laris di pasaran. Sangat fresh dengan cerita penuh dengan pertarungan bela diri, yang sangat cocok di simak oleh para muda mudi. Baca juga Kunci Shopee Tebak Kata Tantangan Harian M, N, J, E, A, A, R, Hari Ini Selasa, 29 November 2022 - Belanja Bebas Ada Cashback Baca juga Download Nonton She and Her Perfect Husband Episode 20 21 22 23 24 SUB Indo, Tayang WeTV Original Bukan LokLok Baca juga LINK Nonton Drakor Under The Queen’s Umbrella Episode 13-14 Sub Indo - Serta Sinopsis Spoiler Ep. 15 The Real Lesson alias True Education ini mengisahkan mengenai sistem pendidikan Korea Selatan alias Korsel. Memiliki sistem sangat buruk, justru menciptakan para penjahat baru lantaran sistem yang bobrok. Beragam perkelahian bertabur darah menemani setiap episode, belum lagi guru cantik nan killer namun sangat seksi lantaran memiliki bakat bela diri harus dapat turut menyelesaikan dan merubah sistem pendidikan yang ada, simak spoiler, hingga link baca The Real Lesson pada halaman berikutnya. Simak Sinopsis The Real Lesson Chapter 108 Bahasa Indonesia, Spoiler Terbaru! The Real Lesson alias True Education ini mengisahkan mengenai sistem pendidikan Korea Selatan alias Korsel. Cek link baca The Real Lesson atau link baca True Education full chapter dan Chapter 107 , ada pada halaman berikutnya, TAG Sumber UPDATE TERBARU

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